Zitat des Tages von William T. Vollmann:
Not only am I physically and emotionally attracted to women, I also wonder what being a woman would be like.
I've always felt I want to be of service to the world somehow. I haven't yet figured out how to do it, and I may never figure out how to do it.
Really what it gets down to is that my idea of the American life, the American dream, whatever, is that I can do what I wish in the privacy of my own home. And as long as I'm not hurting anyone, no one has a right to know what I do. The main thing that I have to hide is that I don't have anything to hide.
When I go train hopping and I look up into the sky, there are always so many more stars than I remember there were.
The case of Afghanistan vs. the Soviet Union is the clearest case of good against evil that I've seen in my lifetime. I thought it was terrific the way they got their country back.
Whenever I travel to a poor country, I try to help at least one person. Usually, that person helps me just as much - I can find a local poor person to be my guide or my interpreter. That person makes money from me, I make money from him or her, we both learn about each other. It's an equal win-win relationship.
I read and write for most of the day, but I do let myself be interrupted by real life. I enjoy going out with friends and try not to take myself too seriously.
I think most of us who live into our 50s have had a few experiences with death. You know, we see people we know start to die. We realize it's getting closer and closer for us.
As large publishers turn into monopolies, and the MBAs who are running them - maybe editors used to run them before - are steadily tightening the screws, they feel more and more that they get to call the shots.
The instant people specialize, it's in their interest to dehumanize the people their specialized function operates upon.
After college, I went to San Francisco and worked as a secretary in a reinsurance company. That was a pretty dismal job. It was a real small place. Guys would come in, and they'd sort of stick out their arms like wings so I could take their coats off. They'd tell me, 'Two,' and I'd put two lumps of sugar in their coffee.
Everybody is an expert on one thing - that's what I learned in my high school journalism class - and that's, of course, his own life. And everybody deserves to live and have his story told. And if it doesn't seem like an interesting story, then that's the failure of the listener, or the journalist who retells it badly.
I first got really interested in Noh in about 1977. There was an independent bookstore in Bloomington, Indiana where I was going to high school. It was a really nice place. There was a New Directions paperback. It was the Pound/Fenollosa book, 'The Classic Noh Theatre of Japan.'
The first chance I had to go to Japan, which was in the early nineties, I went to a Noh play. I thought, 'This is very, very slow.' I noticed lots of people falling asleep. I didn't really know what was going on; I was getting a little sleepy myself. Then the more I studied it, the more fascinated I got.
I might enjoy writing some ghost stories set in Japan because their whole idea about the spirit world is so interesting.
I think that we're all, as human beings, so limited. If we want to write about ourselves, that's fairly easy. And if we write about our friends or our families, we can do that. But if we want to project ourselves somewhere beyond our personal experience, we're going to fail unless we get that experience or we borrow it from others.
Whenever we have an opportunity to engage with each other as human beings and to minimize the differences between us based on disparity in resources, then we should do it.
Don't write for money.