What has 'theology' ever said that is of the smallest use to anybody? When has 'theology' ever said anything that is demonstrably true and is not obvious? What makes you think that 'theology' is a subject at all?
I am severely dyslexic, so I'm not the person who can do a lot of typing, writing and mathematics. I don't excel in anything except in things that had to do with creativity and things with my hands. I like to build things and take things apart.
I allowed myself to think if I could be doing anything in the world, what would I be doing? And what came to mind is I'd be traveling a little bit, I'd be going to classes and I'd be going back to school.
Growing up, everybody told me I was good. I was playing ping-pong with my father, and he'd say, 'That's a good shot,' but I'd mess up the next one, and I'd yell, 'Don't tell me that! I'll mess up! Just don't say anything!' You know, if someone says, 'You can't do that,' then I'm going to be, 'Yeah, you watch me.'
We cannot teach people anything; we can only help them discover it within themselves.
To be successful for a moment because of one movie doesn't mean anything.
If you live a life of make-believe, your life isn't worth anything until you do something that does challenge your reality. And to me, sailing the open ocean is a real challenge, because it's life or death.
We had a big party that night and everybody went around gathering results from various precincts and each person would get four or five precincts and then come to the house. There were no cell phones or anything to get results phoned in early.
I don't want to be known as the Hilton heiress, because I didn't do anything for that.
My inspiration can come from anything - films, the street, paparazzi pictures.
People will always be tempted to wipe their feet on anything with 'welcome' written on it.
I realized that anything to do with Fermat's Last Theorem generates too much interest.
The reason why so few good books are written is that so few people who can write know anything.
I listen to anything anyone gives me. I always go back to a few basic favorites. I can always listen to Django Reinhardt and hear something I haven't heard before. I like to listen to Art Tatum and Coltrane and Charlie Parker. Those are guys who never seem to run out of ideas.
I don't believe in kicking away ladders. By that, I mean the ladders by which I ascended as a young writer, small magazines that didn't pay anything, and that sort of thing.
Probably some of the projects I chose to do after that had more to do with what people thought of me. The industry was very open and probably hoping that I could do anything.
Well, more than me saying to the rest of the country music industry there is not enough traditional country music - that is not necessarily the statement in truth. I think more so that I, me, missed it more than anything else.
I think the dual existence thing is a regular pastime for all human beings, and for that matter anything in this universe.
I give everything I have to give on the screen. I feel I don't owe the public anything else.
I really thought to myself, 'If I'm going to do anything in this world, I am going to be the best I can be.' I have a tennis coach that has taken me as far as my body can go. I hired a private skiing coach during my birthday week. I have a private yoga instructor. I just don't understand why you wouldn't give yourself every advantage.
Roger King is, without a doubt, the greatest salesman in the history of anything. And I don't ever limit him just to television. He could sell you anything.
Denied anything ardently desired, the individual or state will argue and parley just so long - then, if the impelling motive be sufficiently great, will cast aside every rule and break down every acquired inhibition, plunging viciously after the object wished; all the more fantastically savage because of previous repression.
Is freedom anything else than the right to live as we wish? Nothing else.
When I was a kid, no one would believe anything positive that you could say about black people. That's a terrible burden.
We're in a situation where the solutions that we have are not good enough. The way to improve anything is to have a discussion about its flaws. To understand what the one or two or three things are about it that would help fix it. The DMCA makes it dangerous to have that conversation.
I never failed at anything in fiction.
I'm not a big fan of just doing weights. Anything more physical is infinitely better.
I don't think we've ever known what the hell's going on when we do Tap shows. It's possible the audience are effectively getting to see more of the movie when we play. You know, they know the songs, so anything we do onstage, whether we're meaning to or not, is an extension of the film. Other than that, I wouldn't understand what's going on.
You can go up in the air and everything is gone. You know, you don't think about baseball. You don't think about anything. It's just something that takes you away from everyday life. I love being in a plane and looking down to see traffic on the freeway.
I always think I don't have any songs, I don't have anything I'm working on, and I get in the studio and realize there are 20 things I'm thinking about. It's just kind of second nature.
And, in the case of schools, or anything else, if you have something that is forcing you to do better than you did the day before, it makes you look forward and it makes you think in a way that's going to make the product better, which is the students and the education.
Listening is such a simple act. It requires us to be present, and that takes practice, but we don't have to do anything else. We don't have to advise, or coach, or sound wise. We just have to be willing to sit there and listen.
Certainly, I know what it's like to be obsessed. I haven't always been there for my children. They could reach me, but I wasn't always there. But, you know, that's not necessarily anything to do with being a writer. I mean, a taxi driver could have the same problem... Maybe.
Anything's possible if you've got enough nerve.
To give a reason for anything is to breed a doubt of it.
One never wants to do anything that's going to break that 'sculpture of the character' that's been done so far, or make anything that's been done so far become illogical in any way, so you always want to try to connect when you're doing a series of films that has a continuous character.