It changed me more than anything else. You don't want to get to that place where you're the adult and you're palpably in the next generation. And, this shoved me into that.
I don't take anything for granted.
I have a dark room, and I still process film, but digital photography can be a totally lying kind of experience; you can move anything you want... the whole thing can't be trusted, really.
I am not an anti to anything which will bring freedom to my class.
For tech, I like the 'DailySearchCast', 'TWiT' and anything Veronica Belmont does on CNET. I think Perez Hilton is a riot, and the rest of my consumption is by people: Folks like Dave Winer, Fred Wilson, Mark Cuban, Brian Alvey, Jeff Jarvis, Xeni Jardin, etc.
In idling, the motor's running, but you're letting your mind take in anything. Things pop into it. Those are the gifts of subterranean conscious.
I'm generous. I give good tips. It's just - the way I live my life, ironically enough, is: I don't want anything. I'm not a consumer. I don't crave objects.
Do I think anything I ever do will be as big as Motley Crue? It's impossible.
I didn't think I had anything particular to say, but I thought I might have something to say to children.
I was so intimidated by the thought of improvising back in the '80s when I was in Chicago. I think the opportunity only even came up once that I can recall, and I turned down the offer. It was to go improvise in some club in the suburbs or something. Good God, I couldn't think of anything more frightening than to get up there without a plan.
If all printers were determined not to print anything till they were sure it would offend nobody, there would be very little printed.
You do not have to incriminate yourself. But once you assert your innocence, and once you say you didn't do anything wrong, you can't then use the Fifth Amendment to say, 'I'm not answering questions.'
When I was right out of college, I felt competitive with some of the guys in my class over career stuff. It's funny now to think about it - that a friend getting a job or something had anything to do with me... I think that my relationship with my wife has played a pivotal role in the chilling out of Aaron.
Most films I work on, the people making the film are constantly second-guessing the executives of the studio, the producer, and the audience. It is very hard to accomplish anything in that situation.
Even in relationships, I don't get my hopes up or anything, especially not right now because I know I'm young and I've got plenty of time later in the future.
We don't want to promote any system that treats the fact that an individual is LGBT as a personality disorder. And anything that perpetuates that perception is harmful - not only to that member of the community but the entire community.
Anything you can imagine, you can put on film.
At first, I didn't really use anything in the social network world. I was so anti-social network, which is kind of ironic. I actually first started on a chat room on my fan site.
In 25 years of writing novels, I've never had anything that felt like writer's block.
You really don't do anything else in your life; it's a very little bubble that you grow up in. And you have to live in that bubble because of the intensity of the sport.
If your mind is anything like mine, it can stumble through a half-dozen different thoughts in a heartbeat.
I wouldn't say anything I ever did in film would be something I'd use the word proud about. I've done better work in the theater.
If I miss anything about the sport, it's the camaraderie of old teammates.
I would rather go to any extreme than suffer anything that is unworthy of my reputation, or of that of my crown.
I was always a filmmaker before I was anything else. If I was always anything, I was a storyteller, and it never really made much of a difference to me what medium I worked in.
I don't rule out anything in my future.
The truth is at the beginning of anything and its end are alike touching.
So, Hitchcock wouldn't say anything about my work in the movie but, on the other hand, he wouldn't complain, either.
If there's anything that I've always said about myself is that to me, it's much more important for me to get to work with filmmakers that I've grown up loving and admiring.
When entertainment was begun, during the Depression, it was supposed to take people's minds off reality. People could sing, dance, act or do anything. It was the type of entertainment that was available.
The trouble with the performance poets is that they don't seem to have read anything. So there is not a real sense of the poetic tradition in their work.
You know you're on stage being the life of the party and trying to get laughs, and then, in a lot of ways, you don't have anything to give once you give it to the people.
This is what customers pay us for - to sweat all these details so it's easy and pleasant for them to use our computers. We're supposed to be really good at this. That doesn't mean we don't listen to customers, but it's hard for them to tell you what they want when they've never seen anything remotely like it.
You're going to see relationships with technology across anything that's brand. I don't care if that's in home or what you wear. I just think it's a new fact of life.
I can sell anything. I'm very convincing.
I have never, for better or worse, thought about a 'career path' or anything like that.