I knew if I had gone to school - if I had gone to Juilliard and danced for four years - I would have spent every day wondering what would have happened if I had gone to Los Angeles instead.
Los Angeles gives one the feeling of the future more strongly than any city I know of. A bad future, too, like something out of Fritz Lang's feeble imagination.
I would drive down in my Volkswagen Jetta to Los Angeles and just audition, audition, audition, audition, and hopefully get something. I did that for two years, and the third year I came down, I auditioned for 'How I Met Your Mother.'
New York reminds me a little bit of Canada and my upbringing. Los Angeles is like living in a vacation, and you have to pinch yourself every once and a while.
I travelled to California when I was 18 and went to Los Angeles State College.
I was raised in Connecticut. And I honestly wasn't aware that my dad was a celebrity until I moved to Los Angeles a year ago.
A lot of people come to Los Angeles and think that they're going to be famous, just like that.
I'm attracted to creative people and train wrecks, and there's no shortage of that in Los Angeles.
I began with small roles in successful movies like 'No Country For Old Men' by the Coen brothers; but it was 'The Last Exorcism' that changed my life: with what I earned, I left Texas and moved to Los Angeles.
I had no idea that 'Less Than Zero' was going to be read by anyone outside of Los Angeles, and it's - believe me, as the writer of the book I'm somewhat amused and intrigued by the idea that 25 years later it's still out and people are still reading it.
From 1940 to the present, the art world - and particularly Los Angeles - has undergone a transformation not unlike the Italian Renaissance.
I don't like Los Angeles. The people are awful and terribly shallow, and everybody wants to be famous but nobody wants to play the game. I'm from New York. I will kill to get what I need.
I spend a lot of time in Los Angeles, but I probably wouldn't say it's my favorite city.
I saw a story in the Los Angeles Times that 40 percent of the viewers are men. It didn't really surprise me.
Los Angeles has always been on the table with us.
With 'Greenberg,' I wanted to make a movie about Los Angeles... my great love for it and also the way that I felt not at home and alienated there.
Los Angeles has been historically known for some great Super Bowls.
Thank God I don't live in Los Angeles. I think if you're there the whole time it just gets out of proportion and you lose touch completely with reality.
I struggled with being a Latino growing up in Los Angeles. I felt very American. I still do. I went to 35 bar mitzvahs before I went to a single quinceanera. I could talk all day about my culture and what it means to me.
I've lived in Los Angeles for at least 24 years.
My father is an actor, so he brought me into his agency when I was young. It wasn't something I wanted to do until high school, when I started taking theater and really liked it. Then an agent found me and wanted me to come out to Los Angeles and give it a shot. I gave myself six months, but it only took me like a week to get a job.
I was part of a show called 'Manifest Equality' in Los Angeles in 2010, and I realized there was a disconnect between people who are gay or have gay friends and are gay-friendly, and people who think they don't know any gay people.
I live in New York, and I love New York as well, but I think Los Angeles is a place where if you have the right person with you, there are all these little worlds that you would never guess by just looking at the exterior of what the city is.
I'll be in Los Angeles for two weeks and I'll have a laugh, get battered and have a buzz, but at the end of the day, I'll go home. It's just me earning a few more stories to tell everyone at home and all.
Missing Persons was based in Los Angeles.
It's hard to bury your head in Los Angeles. People come up to you and say, 'Hey, I saw your picture on a bus.' It's tricky: You're excited by the possibilities, but you don't want to get too crazy.
Many cultures believe that on a certain day - Halloween, the Irish Samhain Eve, Mexico's 'Dia de los Muertos' - the veil between this world and the next is especially thin.
I've actually changed my view of Los Angeles. When I was younger, I hated it, because I thought it was fake and superficial. As I've gotten older, I've found that to be absolutely true, but I don't care.
Georgia was a great place to live, but I wanted to get out because I knew the opportunities for what I was doing - stand-up comedy and eventually acting - were in Los Angeles.
I'd move to Los Angeles if New Zealand and Australia were swallowed up by a tidal wave, if there was a bubonic plague in England and if the continent of Africa disappeared from some Martian attack.
Los Angeles is often described as the nadir of vapidity, a smog-choked space cradle.
When I was in college, there were dollar movie nights. I went to see 'The Long Goodbye,' which was based on one of Chandler's books but was contemporary and set in Los Angeles in 1973. I loved the movie, which motivated me to read the book.
I feel like people who come out to Los Angeles hoping to be an actor give up too easily, and/or they don't put in the amount of time that it really does take.
I had some difficult times when I first moved to Los Angeles when people would tell me I was saying things wrong. I felt different although my mum kept reminding me it was OK to be different.
I was born here and I was raised here in Los Angeles. And when I was five years old, my best friends were Mary Kate and Ashley Olsen because we lived across the street from each other.
In Los Angeles, by the time you're 35, you're older than most of the buildings.