As a note, I never once refer to 'Train' as a game in the rules, and I also never refer to the participants as players.
The triathlon can be a very hard sport to train for. You see all the time when people try to improve - like their swim, for example: they train really hard for two to three weeks, and then when they go back to normal training, the swim goes back to where it was before.
The market is a brilliant system for the exchange of goods and services, but it doesn't protect the environment unless it's regulated, it doesn't train your workforce unless it's regulated, and it doesn't give you the long-term investment you want.
At nine years old, I was presented an opportunity to move to Toronto to train for pairs dancing. As soon as I heard that that's what it entailed, I was out of there. It's like a past life. I hung up my skates and never looked back.
I am not a coach for the tackles, so I do not train them.
My older brother was a musical prodigy, and he got a scholarship to the Bronx House Music School. We moved to the Bronx when I was 4 to be close to his music school. Then I got a music scholarship myself, at the age of 6, but that was for a school down in Greenwich Village. I had to take the elevated train and then the subway to get there.
As athletes, our job is to train and compete.
The only thing I advocate for is for equality for female athletes because we train just as hard, and we're always having a lot of head-to-head clashes, always competing against each other.
I just prepare and train to be able to stay on top as long as I can and retire on top.
I always train 100 percent.
'West To A Land Of Plenty' shows a family heading west, first on board a train, and then going into areas as yet untamed by rail by way of an ox-drawn wagon.
I never claimed to be a computer engineer, but I did train as an industrial designer, and I am a consumer marketer, and I am very comfortable dealing with complex businesses and complexity in general and simplifying it - basically a systems designer.
NFL cheerleading is harder than most people think. They train up to six hours every day with games on Sundays. They gave me a great work ethic.
Some people are great at dieting and train somewhat inconsistently - for those people, getting on a great training program and following it will be the best thing for you.
The first trip I remember taking was on the train from Virginia up to New York City, watching the summertime countryside rolling past the window. They used white linen tablecloths in the dining car in those days, and real silver. I love trains to this day. Maybe that was the beginning of my fixation with leisurely modes of travel.
My father went to work by train every day. It was half an hour's journey each way, and he would read a paperback in four journeys. After supper, we all sat down to read - it was long before TV, remember!
I didn't train in directing; I talk to actors the way I talk to anybody.
I went to this vocal coach, Ron Anderson, who has worked with Axl Rose and Chris Cornell, to train my voice and learn a whole new way of singing.
'How to Train Your Dragon,' the first one, was a film I'd seen prior to being approached for the sequel. I don't often watch family animated movies, but it's one that I loved and thought was really well done: beautifully crafted storytelling.
I liken Sleater-Kinney to a freight train. It felt like this incredible, forward-moving, powerful energy.
I'm quite nosy. Somebody will be reading a book on a train, and I'll go: 'How is it? Is it any good?' and they'll be like, 'Yeah, now let me read it.'
People get all caught up thinking they have to train a certain way or take a certain approach to things, but there's so much more to this than fitting into what other people think you are supposed to do. You have to have fun and enjoy what you are doing; otherwise, what is it all worth?
Summertime in Montana, I become a monosyllabic baboon. I want to ride with the cowboys, go to brandings, doctor cattle, and train my horses. But in a few months, the snow starts to fly. The days become shorter; the yellow color of interior light becomes delicious. I look at my shelves, and every book just glows, and I want to be inside of that.
From the time I was 9 years old, I loved magic. I was an only child, and I think that had a big impact on me. I always had grown-up friends even though I was a little kid. I would take the train from Lido Beach into Manhattan, and I'd hang out in magic shops.
I get up at 5 A.M., and I train hard. I've got two young children, so I have to get up early. But I like it.
My father contracted polio on a troop train in Korea.
I had a very famous trainer tell me once, 'You can usually train a wild animal but never tame a wild animal, ever.' They are always going to be wild, no matter what anybody says.
Black people lived right by the railroad tracks, and the train would shake their houses at night. I would hear it as a boy, and I thought: I'm gonna make a song that sounds like that.
I don't lift weights at all. Every muscle on my body is for an actual task; there is no muscle that I train for show. If I want to be able to do a certain move or action, I train really hard until I can. And with all of that training comes muscle definition, so it's really an afterthought.
I fight like Bruce Lee. I train in his style of kung fu, wing chun. It's all about fighting with controlled power, so you learn to punch correctly.
The notion of a writer sitting in a library doing research isn't what I want. The research I love doing isn't found in a book. It's what it feels like to rappel down the side of a building; to train with a SWAT team; to hold a human brain in your hands; or to dive for pirate treasure. Those are things I've done to research my stories.
I just try not to think too much about how I'm perceived. I think as long as I'm still selling tickets and can pay my mortgage, then people are probably thinking good enough things or whatever about me to keep the train moving.
It wasn't that I couldn't write. I wrote every day. I actually worked really hard at writing. At my desk by 7 A.M., would work a full eight and more. Scribbled at the dinner table, in bed, on the toilet, on the No. 6 train, at Shea Stadium. I did everything I could. But none of it worked.
The key about playing internationally is the confidence that you gain. Not only do you train with some of the best players in the NBA, but you compete against some of the best players in the world.
The essence of good business is knowing when to step on a train and when to step off.
The artist must train not only his eye but also his soul.