Zitat des Tages über Crew:
Some directors are really strong on action, manhandling you around the set; others are very focused on setting up the camera shots and practically ignore you. You have to get used to introverts, extroverts, directors who clown around for the crew, and the odd one who's monosyllabic.
I have a wonderful make-up crew. They're the same people restoring the Statue of Liberty.
I feel a tremendous responsibility to my crew, to my cast, to every guest star that comes on.
I don't think anything can prepare you for a crew to come in and actually film you as yourself. It's kind of frightening to think that all of a sudden people are going to know how you are, and how you act on a day-to-day basis.
I have an amazing crew, so it makes life so much easier. It's fun being around a bunch of my BFFs on the road.
I had the time of my life playing Rose in Wes Craven's 'The Girl in the Photographs.' I became so close with the cast and crew, it was hard to leave after we wrapped.
I've done sexual stuff before - onstage, which is even more emotionally difficult. With a TV crew around, you are stopping and starting; it becomes really technical. It's not erotic at all.
I must confess that my imagination refuses to see any sort of submarine doing anything but suffocating its crew and floundering at sea.
We have developed overlays for the keys of the cash registers with the help of the Braille Institute, so that blind crew members can take orders and help our guests.
I love to hang out and talk to people on set, especially when I start a new job to get to know them. I like to learn things from the crew so I sit around and ask them technical questions, when I think of them.
We didn't have a drill so he would burn the holes through the wood with a metal rod that he heated up in a fire. Can you imagine an ordinary crew doing that?
I find that if I interact more, the crowd gets way more into the music. We also have a full live show happening, and I have lighting crew that travels around with me. We've got this Infinity Prism thing, which is lots of fun. It's an optical illusion device that we carry around.
And a lot of the artists and people that we hired were fans of Transformers growing up, so having so many fans working on my crew really kept me on point.
I wanted to be a director and producer and writer, but in the early '40's the union wouldn't let you get through the gates. You couldn't get on a crew, or even learn to direct.
Once you are assigned to a flight, the whole crew is assigned at the same time, and then that crew trains together for a whole year to prepare for that flight.
But I won't work with the exact same crew film after film because I feel the work would get a little complacent.
In the end of the day, you are human. Film is a job which is not an individual job; you have tons and tons of people behind you - you have a whole crew of people working. But, an actor is the face of a film, so you get all of the good things, but you get the bad things, also.
I will always find my light. No question. And if I don't, I'll know, because my dad will be the first person to call me and say, like, 'You need to have him bring another 2K in,' and 'Why aren't you using this sort of lighting gel?' The crew guys know that it's where I grew up.
If it wasn't for 2 Live Crew videos wouldn't look like they do and rappers wouldn't sound like they do.
The cast and the crew made me feel really welcome. Towards the end it just got better and better.
My absolute favorite thing about working on 'Liv and Maddie' is my cast and crew: the people that I spend almost every hour of every day with.
My goals are for the U.S. team to get to the second round of the World Cup and to win a championship here in the U.S. with my club team the Columbus Crew.
As we begin to have landings on the moon, we can alternate those with vertical launch of similar crew modules on similar launch vehicles for vertical-launch tourism in space, if you want to call it that... adventure travel.
Everyone would talk about their diets and working out and what it made me do was go to craft services where all the food for the cast and crew was and I would eat.
Serving jury duty is a fascinating little slice of life, with its motley crew of personalities.
I created a show called 'Crash' for Starz, which was their first original drama, and that was not a good experience. I had a great time working with the cast and crew, but it was a young network and an intrusive studio, and to be honest I didn't really enjoy the movie 'Crash.'
Since my Japanese isn't very good, I had to have an interpreter to communicate with most of the crew.
I saw a boy of the crew purchasing javelins of them with bits of platters and broken glass.
They wouldn't take me in the navy because of my glass eye. So I joined the merchant navy, who allowed monocular crew if you worked in the kitchens. You're not wanted on deck or in the engine room with one eye, but you're good to fire up the ovens and cook hundreds of chops.
The crew members for 'The Price Is Right' at night are the same guys who work 'Y&R' during the day. It's even in the same studio. I've been in the place for 15 years. So all the faces at 'The Price Is Right' are familiar.
My dad had this rock hard body and would work 12- to 13-hour days. The guys he worked with were scrap-iron guys. Nobody on that road crew had read a book in 10 years, but there was something about the way they lived I really admired.
The scenes in the show were filmed with a crew of really excellent stunt jumpers, but we had the feel of the parachutes, so we could be more realistic in the roles.
Yeah, that came out of a reading. It was great. It's such a fun crew to be with, and we all went out the night before and that really encouraged us to go out and get drunk.
The joy for me of television is the sort of family feeling of being involved with an ensemble - the cast and the crew and the director of photography and the guys in the camera truck - and you're all coming together. There's a great feeling when that is a successful unit, a successful family.
There are no passengers on spaceship earth. We are all crew.
My heroes are the camera crew and the electricians. They work such long hours.