Zitat des Tages über James Brown:
I love James Brown, and as a baby, I was always dancing to James Brown.
James Brown became my father. He would talk to me the way a father talked to a son. He became the father I never had.
One night all the James Brown band was playing on stage and I look in the back and I could see Mick Jagger and Keith Richards trying to get in the club and they couldn't get in cause it was to crowded.
I get good references from a wide range of music. Something who's been a good influence in the last few years is Qawwali music. If you listen to a Qawwali singer like Aziz Mian - he's like James Brown. Qawwali is like Pakistani gospel-jazz. It's emotional, but it's also improvised, and it's all about that sacred-and-profane tightrope.
James Brown was one of the first artists who found four bars that he liked and played them the entire way through, and then he just added to it vocally.
The music I was really listening to in 1968 was James Brown, the great guitar player Jimi Hendrix, and a new group... Sly and the Family Stone, led by Sly Stewart from San Francisco.
I'm somebody who listens to a lot of funk, a lot of James Brown, and I want to be somebody who contributes all that energy to the mainstream.
In '87, I used to do this awful, awful James Brown impression.
Fortunately, I'm known as the hardest-working woman in showbiz, not to compete with James Brown. I've always been a multi-tasker.
The hardest thing about being James Brown is I have to live. I don't have no down time.
But that kind of falls in line; when you think about it, James Brown was a funk minimalist. All of those parts create a sum that's larger than than the individual parts.
I love Sly Stone and James Brown and Stevie Wonder, and I want my music to reflect some of that.
James Brown was my favorite, my absolute idol. Every time I played with him was like a music lesson, and I never thought I could be so funky! I mean, a white boy from Canada - a Jew - getting down with his funky bad self!
I've studied a lot of great people over the years - Pete Seeger, James Brown - and tried to incorporate elements that I've admired, though I can't say I dance like James.
You go through the Civil Rights struggle, everybody knew the songs - 'We shall overcome.' Everybody would sing it. Music helped us. James Brown, 'Say It Loud - I'm Black and I'm Proud.' They helped black people figure out how to navigate what was a very treacherous place in America for them.
I stream this radio station, Radio Nova, that's based in Paris. They curate a beautiful set that's really all over the place - they'll play blues or some West African music, then A Tribe Called Quest, then funk from Ethiopia, then James Brown, and then the Beatles. It's an amazing mix.
If it weren't for the mentorship and guidance from people like my mother, James Brown and others, I wouldn't have been able to make something of my life.
I'm touched by the Beatles. I want some of the music I do to reflect that. Here I am. I love Sly Stone and James Brown and Stevie Wonder, and I want my music to reflect some of that. Here I am. I'm touched by Jon Hendricks. I want some of my music to reflect that. And when I write, you're going to hear it.
One of my first festivals was Oxygen 2006. It had this amazing lineup with the Arctic Monkeys on their first or second album, the Strokes, Kings of Leon, the Magic Numbers and then the Who and James Brown. I waited in the pit for a good eight hours to see James Brown.
I felt Michael Jackson was inspired a little bit more from the elegance of a Fred Astaire. Michael loved Sammy Davis, Jr. and James Brown and Judy Garland and Fred Astaire. But he wasn't any of those people. To be inspired is one thing, but he made it all his own.
James Brown is important because he decorates the clock correctly and he's good with lower mathematics. Don't get me wrong - he's good.
James Brown died owing me $50,000. But I loved James Brown.
I've been to two stadium gigs in my life. One was James Brown and the other was Pink Floyd. They both sounded the same. I couldn't tell the difference between James Brown and Pink Floyd. I've never liked stadiums.
I think the best thing about being James Brown is looking at my little son. Hopefully I can make my son a role model to a lot of people.
You want a hero in the music world? James Brown. He brought a feeling to music without really using words. He's just famous for his sound.
My dad was into the 1950s doo-wop era. If you look at those groups, or at James Brown, Jackie Wilson and the Temptations in the 1960s, you'll see you had to be sharp onstage.
This is the thing about hip-hop music and where people get it most misconstrued: It's all hip-hop. You can't say that just what I do is hip-hop, because hip-hop is all energies. James Brown can get on the track and mumble all day. But guess what? You felt his soul on those records.
It's like James Brown used to say... I don't know, but whatever I play it's got to be funky.
I love a good lyricist - always have. The thing that inspired me most was the different performers, like Tina Turner, James Brown, Michael Jackson, Madonna, even Janet Jackson.
When I started playing, I played in R&B bands. I played James Brown, Wilson Pickett, Otis Redding and all that.
Psy is fantastic. He's shifted the planet. He's got the whole world dancing. And it's a rarity in this world. Only four people made that happen in history - James Brown, Michael Jackson, yours truly and Psy.
When I first played New York, it was with James Brown at the Apollo, and I was playing in a band under the name The Valentinos. I remember Sam Cooke saying, 'I want you to go in there with James Brown. I couldn't be as hard on you as James Brown would be.' But we came out marching like soldiers.
I can't even imagine something being more fun than playing James Brown onstage.
I was never really that interested in the punk movement. I was a blues guy: I liked Motown, James Brown.
I'm coming from a Ginuwine and Usher background: slow and smooth songs. And that's why I really connected to Sam Cooke, because he was just very smooth. It's not like the James Brown types, which is all great stuff, but he was totally set apart from those guys.
Charles and I are from Augusta, Ga. - so we come from James Brown territory, soul music and Motown. And Charles has always had a lot of Southern rock in there as well.