Zitat des Tages über New York:
I flew to New York to do a commercial back in the day when people could meet you at the gate, and the little agent when I came off the plane said, 'Oh, Miss Carr, we are so happy to have you here.' I went, 'Oh, for goodness sakes.'
I did a lot of small black-box theater in New York when I was starting out. I'd get a group of actors together to do workshops and readings. And I ended up directing three or four productions.
I wish I had stayed and finished my career here in New York.
I got Sonny up to Harlem, and we started street playin' in New York. We did that for three or four years and survived. We brought it back to the streets again.
I fell in love with jazz when I was 12 years old from listening to Duke Ellington and hearing a lot of jazz in New York on the radio.
I did nine months in 'Mrs. Klein' in New York, then four months on the road. Then I did a movie directed by Philip Haas, who did 'Angels & Insects'. We shot 'The Blood Oranges' in Mexico for six weeks.
I was from a town called Manhasset, very nice town out on the North Shore of Long Island, New York, but there was a little area, predominantly black population, and it was a small school. I played on the basketball team when I was a junior, and I was the only white guy on the starting five, the top seven actually, and we were really good.
I've always loved films, always. I studied literature and I went to Columbia in New York and I went to Paris for part of one year and ended up staying there.
Not even the most powerful organs of the press, including Time, Newsweek, and The New York Times, can discover a new artist or certify his work and make it stick. They can only bring you the scores.
I spend a lot of time writing in New York.
You know, in Los Angeles, you're constantly in your car, you're sealed up, you're not walking around. Whereas in New York, after a while, all your stuff is kind of public, in one way or the other. I'm not saying either one of those is bad; they're both great for a very specific kind of comedian. And I'm glad that they both exist.
Believe me, it jabs you. When you're on the side of buses and New York loves you, you love to go out there every night. It's like a race. Curtain opens, out you go, and New York is yours.
I walk out my front door in New York and I'm out on the street and there are people everywhere. L.A. is so much more spread out, so it's really easy in L.A. to have a little more isolation and to just not see as many people.
If someone lives in New York, he's a New Yorker - they are entitled to the best medical system in the world.
I've actually seen a good amount of the shows at Lincoln Center Theater. I went to school right across the street at Juilliard, so some of the first stuff I got to see here in New York was at the Lincoln Center Theater. I've always been inspired by the work that they do.
I moved from Kentucky to Miramar, Florida, at about 8. I think I was in second grade. I still had my Southern accent, and down there, you got to experience a melting pot in full fury. All the kids I hung out with were, like, Sicilian kids from Jersey and New York.
I've never had a treehouse because I live in New York City. It would be a little bit hard to fit a treehouse in a New York City apartment.
I've been all over the world. I love New York, I love Paris, San Francisco, so many places. But there's no place like New Orleans. It's got the best food. It's got the best music. It's got the best people. It's got the most fun stuff to do.
I will always be a New York girl at heart, but I am really liking the L.A. lifestyle.
I would love to live stream them all, so if you're in New York and you come along, you can watch Tropfest N.Y., and six weeks later you are watching Tropfest Arabia or Tropfest Australia live stream, and so they are all connected.
New York is a passionate city. They want a winner. They deserve a winner. I think we did an outstanding job of bringing it back.
I consider myself the queen of pugs of New York City. I'm really into my dogs. Massive pugs, massive needlepoint, massive color!
For many years I had heard about an underworld consisting of people who act out a vampire fantasy while I was living in New York. Fortunately for me there are also several books on the phenomena.
You know, in 1975 I couldn't get a job in New York City because I was American. The kitchens were predominantly run by French, Swiss, German, and basically I got laughed at. I had education, I had experience, but got laughed at because I was American.
When I was a teenager I loved acting, but I really just loved it for myself. I didn't like the fact that anyone else saw the work I was doing. When I moved to New York, I started to realize that I wanted people to see the stuff that I was doing, and I wanted it to mean something to them.
I was the first person to come into New York with a Latin American point of view which was also very much influenced by political happenings in Latin America.
New York cops are very specific in terms of the way they talk and the way they handle themselves.
When every piece of furniture and your underwear are taken by the bank, when you lose your house in Florida, in New York, in Amsterdam and L.A., when your wife is dying and your son abandons you, you don't feel very good.
I believe marriage should be between one man and one woman. That's my view, and that'll be the view of our state because I wouldn't sign a bill that - like the one that was in New York.
After college, I was living in New York and wrote furiously, a huge novel that I knew was a failure. I hoped that the book would work, but to be honest, I think I knew it would never work, even as I was finishing it.
I fell in love with New York.
What I love about New York is that everyone is in their own world. It's the opposite of L.A. - there, everyone is looking outside of themselves to see who's next to them. What's great about New York is that you get to be anonymous.
I left New York after my mother died and, rather aimlessly, had settled in Istanbul for a change of scene. It was a rather dramatic gesture on my part, since I'd lived in New York for 20 years, but I felt I needed something different - the escalating expense and pressure of New York had begun to weary me.
A lot of Montanans are teed off that local finds usually end up in New York.
In New York City, they have their own way of doing things. Every city and every region should do its own thing.
In the United States there has been a kind of a structure in the Modern art world. The New York School was nearly a coherent thing-for a minute.
